For the Christmas fiends out there, the best of both worlds are available in Casper’s Haunted Christmas and Krampus, also hitting the streamer on October 1. It’s fun for what it is, truthfully, and does feature Mary Elizabeth Winstead doing what she does best as Mary Todd Lincoln. They don’t all pan out, but it’s a worthwhile entry in the storied canon of Craven’s career.Įlsewhere, Abraham Lincoln: Vampire Hunter hits, so that’s something.
#INSIDIOUS 2 FULL MOVIE MOVIE#
In the vein of Craven’s own Shocker, it’s a slasher movie that takes big risks. Sure, it’s confounding, a tonal mess, and unusually resistant to violence at the most arbitrary of times, but it remains remarkably stylish. Widely derided at the time, My Soul to Take is better than it’s often given credit for.
On the same day, Wes Craven’s My Soul to Take, his last feature barring Scream 4, hits Peacock.
There’s even the premiere and subsequent release of Peacock-exclusive miniseries A Friend of the Family, a dramatization of a story previously covered in Netflix’s acclaimed documentary Abducted in Plain Sight. There are copious amounts of Monster High for the kiddos and plenty of Leprechaun for the kiddos with grit. And, as a capstone to Jamie Lee Curtis’ likely end as Laurie Strode (though we’ve heard that one before…), it’s no doubt going to be a bittersweet moment in horror history.Įlsewhere, if Halloween Ends isn’t for you, Peacock has plenty else to guarantee a sufficiently spooky October. There’s no doubt going to be a ton of bloodshed and catharsis. How it pans out is anyone’s guess, but the recent marketing material yield promise, even if David Gordon Green is being a wee bit disingenuous with his assessment of Halloween Kills. Michael Myers and Laurie strode return for one final blow. Which is to say, Halloween Ends hits Peacock on October 14. Day-and-date is a fortuitous, symbiotic system, and who better than Michael Myers to lead the charge? Halloween Ends They’re also largely inaccessible for some people with disabilities or those who are immunocompromised. Theaters are cost-prohibitive for a lot of people. Streaming and the theatrical ecosystem can exist together, augmenting the other’s success in ways distributors never thought possible (just look at Halloween Kills’ almost $50 million opening for proof). Not to sermonize, but it is pretty remarkable that Halloween Ends is releasing day-and-date on Peacock, NBCUniversal’s streaming division. Love or hate David Gordon Green’s contemporary Halloween trilogy, there’s no denying Halloween Ends is one of this season’s most anticipated horror releases.
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